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Upcoming Exhibitions
“Future Begins”, Ars Electronica 2026
“Future Begins” and “Negotiating Humanity” are the two thematic concepts of the year 2026—47 years after the first Ars Electronica Festival and 30 years since the opening of the Ars Electronica Center, which also initiated the development of Ars Electronica’s unique ecosystem.
Artist Mary Maggic has joined our institute as Artist in Residence to collaborate on the P.A.I.N. project (PAIN is Personal and Interconnected with Nature). This interdisciplinary project is being developed for the Ars Electronica Festival and serves as a continuation of the 2025 PAIN project, further expanding its research and artistic reach. It is part of the overarching “Impact Initiative on Medicine, Arts & AI”, initiated by the LBG OIS Center in cooperation with Ars Electronica and the JKU Lift_C (Institute for Transformative Change).
Opening: September 9 to 13, 2026, Linz
Rootelligence: Climate Equity x AI x Youth-led Urban Futures’ Exhibition & Symposium
The MoCC, in collaboration with Digital Common(s), CUHK School of Architecture, and CUHK PI Centre, proudly presents the exhibition ‘Rootelligence’. Inspired by the intelligence through nature, especially the cooperative exchange of resources and signals within root systems, visitors will gain insights into the foundations of Hong Kong's local communities and envision a climate-just urban future for 2050 and beyond. This programme explores how natural principles, AI, and community collaboration can be integrated through a youth-driven, AI-facilitated co-creation methods to help design the future city by harnessing climate equity knowledge.
Opening: 29 August (Saturday) – 31 October (Saturday)
Previous Exhibitions
X FRAMES PER SPACE • Different logics – Shared questions (Vienna Art Week 2025)
X FRAMES PER SPACE • DIFFERENT LOGICS – SHARED QUESTIONS explores these framings as a fundamental basis for our perception of the world and creates an open space where art and science intersect and unfold. 70 artistic and scientific positions illuminate complex relationships: they ask how scientific data inspire artistic creation and how art engages with contemporary scientific inquiries. It is driven by the interfaces between science, art, technology, data visualization, social imagination, and processes of exploration and transformation. It investigates how different modes of thinking can lead to similar questions – or, conversely, how different questions can yield comparable outcomes. In the multi-logical interplay of Virtual Reality, Artificial Intelligence, robotics, video, installation, painting, and drawing, new spaces for thought emerge beyond established categories. By experiencing diverse perspectives, the exhibition invites visitors to question the apparent self-evidence of our worldview and to move beyond the frame to discover new paths.
Opening: Saturday, November 8, 2025
P.A.I.N - Pain is Interpersonal and In Nature (PPP- MAP) - Group Exhibition - JKU x Ars Electronica
Three days in Linz at the JKU Med Campus. Four challenges and one experiment. Putting a mix of artists, medical and AI experts, coders, students to tinker big questions: What if AI changes the way health and medicine can be approached?
Today's ecological issues such as forest fires, heavy-metal contamination in rivers, and risingtemperatures can be seen as a heavy imbalance in the body of the planet. Using environmental and human health data sets, combined with GIS or Earth Engine data, how can we show ecologies in decline and how communities respond emotionally?
What we uncovered: The team created PPP (Personal–Planetary–Pain), an interactive map linking ecological loss, socioeconomic suffering, and human pain. Using concepts from Traditional Chinese Medicine, they visualized Earth’s pain through “phantom scars” and invited users to add their own stories, weaving personal experiences into a collective memory of crisis and resilience.
XHIBIT The KOPPEL PROJECT EXHIBITION 2022 JUNE - SELECTED ARTIST
Selected by industry professionals, this year’s panel included Jamie Clifton, Editor in Chief at Vice Media, Carine Harmand, Curator for International Art at Tate and Trustee at Mimosa House, and Armani Sutherland, Arts SU’s Activities Sabbatical Officer, who was elected by the student body and represents the student voice. Shortlisting 195 applications down to 24 artists over a period of a day's digital selection, the work represents the diverse range of skill, creativity, and political intention at UAL.
THE ARCADE | Central Saint Martins BA Fine Art Degree Show | June 13th - 19th 2023
The Arcade is a collaborative exhibition exploring the anthropological materialism of digital world possession, specifically in the world of gaming. Fourteen artists collectively explore themes about technology awareness, world-building ownership, virtual hoarders, game engine as art making, and the birth of digital folklore through the ever-existing internet consciousness.
OBJECTS OF DYSTOPIA | RIVA Studios September - October 2023 (Curated by Florence Henocq)
'Objects of Dystopia' is an exhibition concerned with the human experience/condition from the anthropological, sociological and psychological perspective, rethinking representations of identity in a dystopian world.
Featuring emerging artists: Tu Pham, Florence Law-Henocq, Nikita Snegirjovs, Sabīne Šnē, Laurie Martin, Karl Murphy, Dora Perini, Hollis Hui, Adrian L Harvey, Dream Woks, Soyhun Han, David Koh.
DIGITAL DAYDREAM | Artsect Gallery Nov 2023 (Curated by Nina Wong)
Focusing on anime, gaming and internet culture, Digital Daydream presents a collection of multidisciplinary works by young artists that narrate the current land-scape within digital worlds and what it means to be the children of fictionality.
Creative Computing Institute - Summer Festival 2024
Exhibition celebrating the mesmerising fusion of art and technology. Showcasing an interactive screen-based installation exploring the potential challenges of human interaction and the limits of machine learning in facial expression recognition. This project focuses on the complexity of generating feedback based on a set of rules. To advance, each player must control their facial expressions and coordinate with other players to complete the designated tasks.
Curation: Digital Rhythm - 11 January - 8 February 2025 (Digital Art Fair x Ora Ora) - Hong Kong
Ora-Ora is pleased to present Digital Rhythm, a group exhibition featuring the dynamic works of Henry Chu, Nick Teeple, Sasha Stiles, Genesis Kai, and Shavonne Wong. This exhibition dives into the human aspect of digital art, showcasing its profound capacity to illuminate the complexities of the human experience through the innovative intersection of art and technology.
